Weary and Fatigued
I am the first to admit that
I am an acerbic Dane, a bundle of pet peeves and grumblings. I am one of those people who gets annoyed to watch out-of-shape lifelong bench warmers give each other the high five at football games, as if the excellent execution on the field by two superbly conditioned and disciplined athletes was somehow the accomplishment of the former. Usually, I hold these snide feelings to myself, but I think I must speak out...
Although I am a Kool-Aid free non-supporter of the current appointee to the White House, I do think it a bit much that his heretofore (love using that word) martial supporters now want to step down out of a sense of "fatigue" and "weariness".
You can be weary of a marathon only if you are running in one, you can feel fatigue from a triatholon only if you have just completed two of the three legs of the trial.
You cannot be weary of a war if you are not deeply in the horror, or if the alpha male in your life is over here repairing photo copying machines, rather than walking point in some Buddha-forsaken hill in Afghanistan. When people say they are weary of the war, they do not mean they are personally weary of having three sons gone overseas for over four years, or that they are tired of the rationing of every necessity, or that they are fatigued of not being able to fill the tank of their Packard to jaunt to anywhere they wish for their summer vacation.
In transfat America (never never spell Amerika
with a K
, it is an affecation), weariness and fatigue mean I don't like how this episode of 24 Baghdad is turning out! Change the channel!
Iraq was sold to us as a trial TV series that jumped the shark in the third season. People want to switch the channel not because they had any personal investment from the get-go, but merely because they are bored. Get over it folks. There are no, I repeat, no action heroes out there. They do not exist.
With All Due Respect
About three years ago, I gave up cable/dish TV. I was disenchanted with the nonsense, the false dichotomies, the poorly made melodramas, the heartless sitcoms that made up the programming schedules. Oh, I'll wait a year, and watch the DVD releases of shows like The Wire
, The Sopranos
, and The Badge
At Burger King last night, I sat beneath their TV to see why I gave this up in the first place. There sat the horrible Paula Zahn whipping up a fake shouting match over Latino high scholl graduation rates. One of the panelists used a phrase that has long grated on my ears, the phrase "With all due respect". I first noticed African-American intellectuals using this phrase, which in the black community is apparently a way of telling a person that they are completely full of shit.
The phrase had moved up a notch in meaningless discourse, as now it is used before saying something completely horrible.
"With all due respect, Senator, I think you are a sodomizing necrophiliac."
People think that this phrase is a sort of "Get Out of Jail" card for violations of polite conversation. So kudos to the writers of the otherwise execrable Talladega Nights
for lampooning this phrase, as Ricky Bobby uses this term before every insult.
Let's retire this phrase today.
I have always been interested in what linguists call "elevation", how insults become complements (and conversely how accolades becomes pejoratives, viz. "liberal" and "intellectual"). Notice the word nice
, as in "Ohhh, she's so nice
. This word was once an insult
. In the Victorian Age, this word meant a person who behaved properly only as a means of fitting in, or setting up a sale; it was an affected mannerism of the fawning tradesman, as opposed to behavior practiced as an end of itself, which is the sign of a gentleman. Same thing with the word stupid
. It once meant not a lack of intelligence, but a refusal to apply one's intelligence beyond that which made a worldly profit.
By the way, I'll post later on viz.
, as well as op. cit.
, and the rest of the unholy host later...
I bought Lambs of London
from Borders last Sunday...I enjoyed Ackroyd's earlier Clerkenwell Tales
. I hope to run down a copy of Mad Mary Lamb
by Hitchcock to accompany this work. Ackroyd has a deft ability to use sentence structure to weave a series of strong paragraphs that flow one upon the other...
Poetry and Painting
The first blossom was the best blossom
For the child who never had seen an orchard;
For the youth whom whiskey had led astray
The morning after was the first day.
The first apple was the best apple
For Adam before he heard the sentence;
When the flaming sword endorsed the Fall
The trees were his to plant for all.
The first ocean was the best ocean
For the child from streets of doubt and litter;
For the youth for whom the skies unfurled
His first love was his first world.
But the first verdict seemed the worst verdict
When Adam and Eve were expelled from Eden,
Yet when the bitter gates clanged to
The sky beyond was just as blue.
For the next ocean is the first ocean
And the last ocean is the first ocean
And, however often the sun may rise,
A new thing dawns upon our eyes.
For the last blossom is the first blossom
And the first blossom is the last blossom
And when from Eden we take our way
The morning after is the first day.
Musee des Beaux Arts
About suffering they were never wrong,
The Old Masters; how well, they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.
In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
had somewhere to get to and sailed calmly on.
What I am trying to read right now
Remedy by Michelle Lovric; Hoodlum by K'Wan; Tale of Love and Darkness by Amos Oz; Our Inner Ape by Frans de Waal; Wines of the World by Dorling Kindersley
Queering the Deal
Remember the Betty Boop cartoons? The old black and white Popeye cartoons? Good example of losing the sale, destroying your original market, by trying to expand from your original fans, in the process diluting the product. The Fleischer brothers destroyed their shop, their craft, by trying to "go mainstream", moving away from some pretty edgy weird shit that at times looking like fleshed out animated Kraft-Ebbing (http://en.wikipedia.org/wiki/Krafft-Ebbing
,), trying to go all Disney. They failed. Stick with your product. Look a the Simpsons; no attempt to go mainstream; no kinder Barth or gentler Homer hokumly sneaking saccharine in the water supply. Stay with your product and let them mainstream come to you.